About

I live near Honiton in East Devon, on the edge of the Blackdown Hills, where I create embroidered textile collage artworks inspired by the birds, beasts and quiet details of the landscape around me.

I originally studied Art History (BA Hons, Manchester University) before spending many years in the graphic design, embroidery and print industry. That time deepened my interest in textile art and the possibilities of modern embroidery techniques — a blend of precision, texture and storytelling that continues to shape my practice.

My work combines the intricacy of machine embroidery with the looseness and intuition of collage. Each piece begins on a linen or cotton ground with an embroidery design developed from drawings and photographs. This is stitched on a dedicated embroidery machine, then overworked with free‑motion embroidery and often hand stitch - to add depth, movement and detail.

The backgrounds are built more instinctively as a response to the detailed embroidery. I use scraps of recycled and often very old, careworn fabrics alongside prints and handmade papers. Many of these textiles are offcuts, remnants or fragments that would otherwise be discarded — materials with plenty of life left in them. Re‑using what already exists feels both creatively rich and environmentally responsible; there is so much textile waste in the world, and working with these rescued pieces means I’m drawing from a resource that will never run out. I’m especially drawn to fabrics with history — frayed edges, softened colours, the sense of something handled and kept.

My work is also shaped by a lifelong fascination with decorative detail: Renaissance pattern, Arts & Crafts design, and the quiet beauty of nature and ornament. These influences sit beneath the surface of my pieces, informing the way I think about rhythm, repetition, texture and the small marks that bring a subject to life.

Inspiration comes from walking the footpaths and hedgerows of Devon and from a love of illustration, pattern and art history. I’m especially interested in the character and presence of our native birds: their shapes, their stillness, their flashes of colour against the muted tones of the countryside. My aim is always to bring a simple, close focus to their beauty.

I was very pleased to be chosen by Country Living Magazine as one of the 40 Best Artisans of 2025.

I mainly sell finished pieces directly to the public at fairs, exhibitions and online. While I don’t routinely take on commissions, I’m always happy to hear from people who connect with my work — so if you have a particular idea in mind, feel free to get in touch via the contact page.

Finished pieces are usually mounted in off‑white board, and when framed I favour a simple light oak moulding that complements the natural materials.

For international customers: any customs charges or taxes incurred on arrival are the responsibility of the buyer.

I make every effort to photograph my work accurately, but colours may vary slightly depending on your screen.

Thank you for your
interest in my work.